Analogue inputs
 
Quantization range
Frequency response
Level linearity deviation 0dB to –90dB
Phase difference between channels 20Hz to 20 kHz
Channel separation 100Hz to 10kHz
Total harmonic distortion 100Hz to 10kHz
Maximum input level (at unity gain) mic and line
Microphone equivalent input noise (150 ohm, 60dB gain)
Maximum analogue gain (mic and line)
Mic input impedance
All other analogue inputs impedance’s

24-bits
20Hz-20kHz +/-0.2dB
<0.3dB
<2 degrees
>90dB
<0.004%
+22dBU
-127.5dB
+60dB
>1k ohms
>5k ohms

Analogue Outputs  
Quantization range
Frequency response 20Hz-20kHz
Level linearity deviation 0dB to –90dB
Phase difference between channels 20Hz to 20 kHz
Channel separation 100Hz to 10kHz
Total harmonic distortion 100Hz to 10kHz
Idle channel noise ratio
Maximum output level
Output impedance
24-bits
+/-0.2dB
<0.3dB
<2 degrees
>90dB
<0.004%
<112dB
+22dBU
50 ohms
Digital I/O  
AES/EBU (with sample rate converters)
MADI
OPTICAL
24bit
56 channels of 24 bit audio
512 channel redundant optical loop
Clocking  

Clock sources
Internal

External


44.1 and 48kHz using a high stability numerically controlled oscillator

From any digital, input Black burst 75ohm video, WordclockB Sample range 30kHz to 50kHz

Power requirements  

Console
Audio rack

87 to 260v AC 50/60Hz autosensing. 300 watts max
87 to 260v AC 50/60Hz autosensing. 150 watts max

Note: All measurements are made with a 22Hz to 22kHz filter and RMS detector.
Delay Up to 240mS in 0.12mS - 30mS increments.
Channel Equaliser (IPC Eq has two extra bands with individual band switching)
High pass filter
High pass slope
High pass frequency range (-3dB)

Low pass filter
Low pass slope
Low pass frequency range (-3dB)

High band
Mode 1: Bell
Gain range
Frequency range
Q range
Mode 2: High Shelving
Gain range
Frequency range
Q range
Mode 3: Low Pass
Low pass slope
Low pass frequency

Upper mid band
Gain range
Frequency range
Q range

Lower mid band
Gain range
Frequency range
Q range 0.1 To 20

Low band
Mode 1: Bell
Gain range
Frequency range
Q range 0.1 To 20
Mode 2: Low Shelving
Gain range
Frequency range
Q range
Mode 3: High Pass
High pass slope
High pass frequency

-12dB/octave
20Hz to 20kHz


-12dB/octave
200Hz to 20kHz



+/-18dB
20Hz to 20kHz
0.1 To 20

+/-18dB
20Hz to 20kHz
0.1 to 0.85

-12dB/octave
20Hz to 20kHz


+/-18dB
20Hz to 20kHz
0.1 To 20


+/-18dB
20Hz to 20kHz
0.1 To 20



+/-18dB
20Hz to 20kHz
0.1 To 20

+/-18dB
20Hz to 20kHz
0.1 to 0.85

-12dB/octave
20Hz to 20kHz
Dynamics  
Compressor channel and IPC
Threshold range
Attack range
Decay range
Ratio range
Gain make up range

Gate
Threshold range
Attack range
Decay range
Hold range
Gate depth range

Output buss limiter
Attack time
Threshold range
Release range


-50dB to 0dB
500uS to 100mS
10mS to 10S
1:1 to 50:1
0 to 40dB


-50dB to 0dB
50uS to 100mS
5mS to 5S
2mS to 2S
0 to -90dB


1 audio sample
0 to –50dB
5mS to 5s

Effects Module  
Dialog box tab effects type name
reverb
large reverb in FX1 only
reverb in any/all FX slots
halls large hall
clear hall
warm hall
bright hall
stage hall

ambient hall
live hall
soft hall
vocal hall
small hall
  plates silky plate
bright plate
hard plate
ambient plate
perc plate

 

rooms wood room
clear room
percussion room
rehearsal room
hard room

spaces lounge
kitchen
bathroom
corridor
car
boardroom
factory
subway
courtyard
forest
other FX
delay in FX2..FX6
only one delay unit available

delays simple delay
studio delay
pingpong
stereo 4 tap
chorus & echo


effects public address
phone
thru the wall
congregation
comms
choruses in any/all FX2..FX6

choruses

piano chorus
strings chorus
strum chorus
pick chorus
lo chorus

deep flange
light flange
vibrato
robo

pich shifters in any/all FX2..FX6
pitch dual pitch
stereo pitch
12 string
vox thicken
vox double
vocoders in any/all FX2..FX6
vocoder vocoder
auto-panners in any/all FX2..FX6 autopan autopan
output processing
slots FX5 and/or FX6
mutiband compressor, soft clipping limiter
4 band parametric eq and filters, and normalisation available up to 8 channels wide
mastering processors

stereo
LCR (S)
5.1
7.1

slots FX5 and/or FX6
28 band proportional Q
pairs selectable as stereo
graphic equalisers 6 mono